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„Die Kunst von Margaret Hunter kann als eine Auseinandersetzung mit der menschlichen Existenz gelesen werden, mit dem Oberfl\u00e4chlichen und dem was darunter liegt, mit Trennungen, Spaltungen und Vers\u00f6hnungen, \u00dcberg\u00e4ngen und Transformationen \u2013 mit dem ganzen Spektrum an Identit\u00e4ten. Die Suche nach dem weiblichen Eins-Sein mit sich selbst findet in dem Bild \u201eDance\u201c (2004) ihren deutlichsten Ausdruck.“ \u00a9 Christoph Tannert (April 2021, UNMASKED #1)<\/p>\n<\/blockquote>\n
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Als „Zeitzeugin“ ist Margaret Hunter’s Arbeit an der Berliner Mauer<\/strong> Teil der von Kulturprojekte organisierten Feierlichkeiten zum 30-j\u00e4hrigen Jubil\u00e4um des Mauerfalls. Sie wurde neben Fotografien und 3D-Filmprojektionen am Brandenburger Tor und in der East Side Gallery gezeigt. Ihre Erz\u00e4hlung war eine von sieben<\/strong> in dem \u203a BUCH<\/a>, das die Feierlichkeiten zum 30. Jahrestag begleitet und dokumentiert.<\/p>\n
„Die Figuren in Margaret Hunters<\/strong> Gem\u00e4lden verbinden die elementare Einfachheit der primitiven Kunst<\/strong> mit der Bewegung und dem psychologischen Realismus westlicher Figuren<\/strong>. Frauen in verschiedenen Lebensphasen wird Bedeutung beigemessen, indem sie verinnerlichte Emotionen zum Ausdruck bringen. Sie sind symbolisch, aber nicht nur das, sie sind immer in der realen Welt verankert. Ihre Holzskulpturen<\/strong> – die ersten Schnitte macht sie mit einer elektrischen Kettens\u00e4ge – sind robust und nachdenklich, wobei sie wiederum die totemistische Pr\u00e4senz von Stammesstatuen mit einer westlicheren Sensibilit\u00e4t verbinden und in einen Dialog mit den K\u00fcnstlern tritt, die vor Margaret Hunter auf diesem Gebiet gearbeitet haben. Einige ihrer Skulpturen haben in ihrem Kern Ausschnitte<\/strong>, in denen etwas Wertvolles und Geheimes aufbewahrt wird, oder sie haben Spuren<\/strong> auf ihrer Oberfl\u00e4che, wie die von Stammesfrauen praktizierten Skarifikationen“.<\/p>\n
Susan Mansfield, THE SCOTSMAN 2017<\/p>\n
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2021 \u203a UNMASKED #1<\/strong><\/a>, Gruppen-Ausstellung, aquabitArt Galerie Berlin<\/p>\n
2020 \u203a PAPER REALITY<\/strong><\/a>, Gruppen-Ausstellung, aquabitArt Galerie Berlin<\/p>\n
2020 \u203a 11 years aquabitArt in Auguststrasse 35<\/strong><\/a>, <\/b>ONLINE Gruppen-Ausstellung<\/p>\n
2014 re-Inventions<\/strong>, Einzel-Ausstellung, aquabitArt Galerie Berlin<\/p>\n
2014 JUST FAIR<\/strong>, Gruppen-Ausstellung, aquabitArt Galerie Berlin<\/p>\n
2012 „form follows fiction<\/strong>„, Gruppen-Ausstellung, aquabitArt Galerie Berlin<\/p>\n
2011 „reSTATEMENT<\/strong>“ Einzel-Ausstellung, aquabitArt Galerie Berlin aquabitArt Galerie Berlin<\/p>\n
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\u203a 2020 Berliner Morgenpost<\/a><\/p>\n
\u203a 2019 The Guardian \/ The euphoria was incredible <\/a>
\u203a 2019 THESCOTSMAN \/ Scots artist to feature in Berlin Wall 30th anniversary celebrations <\/a>
\u203a 2019 Zeitzeugin \/ Ein Buch zum 30-j\u00e4hrigen Jubil\u00e4um des Mauerfalls <\/a><\/p>\n\u203a 2014 Flyer \/ re-Inventions<\/a><\/p>\n
\u203a 2014 Margaret Hunter \/ re-Inventions \/ Interview<\/a><\/p>\n
\u203a 2011 Flyer \/ re:Statement<\/a><\/p>\n