Soft Space Machines – Absolute Interiority (Soft House) | 2024

Media: Jacquard fabric / tapestry
Edition: 3 + AP
H x W cm: 232 x 141 cm

Gabi Schillig’s jacquard tapestry “Soft House”, woven from her precise digital instructions, embraces the inherent surprises of the weaving process, allowing the material’s texture to evolve organically. This interplay creates a subtle three-dimensional effect that emerges through the interlacing of warp and weft threads.

The piece unfolds a spatial narrative through layered isometric forms and architectural fragments rendered in two dimensions. These overlapping shapes evoke imagined interiors and spatial constructs that oscillate between abstraction and material presence.

The tapestry is both a visual and tactile exploration of Schillig’s concept of soft architectures: porous, permeable spaces that dissolve fixed boundaries. Here, textile becomes an architectural drawing reinterpreted as a woven landscape, inviting viewers to inhabit a fluid, imagined environment where digital design and material agency merge.

The work captures the dynamic tension between control and chance, precision and softness, creating an evocative fabric that both shapes and responds to spatial experience.

The work is part of the series “Soft Space Machines”.

14.280,00 (excl. VAT 12.000,00)

About the artist

The mother architecture now establishes the associative link to the ‘oceanic feeling’ of the all connected and all-encompassing. Floor, wall, and ceiling, the structural equivalents of orthogonal three-dimensionality, are transformed into an amorphous shell, and the enclosed space becomes volume. Could it be that the spirit of modernism is materializing less in a seemingly decorless rationalism of steel, glass, and concrete, and instead revealing itself in a new, elastic body-oriented approach?“ – Kay von Keitz on „Soft Modernism“ about the work of Gabi Schillig / June 2025

In her work, Gabi Schillig experimentally explores space and architecture as extensions of the living body—as responsive, dynamic mediums of communication. space is not static or immobile, but alive and evolving, deeply interwoven with human presence and bodily experience. bodies, spaces, and actions are not distinct entities, but mutually dependent and intimately connected. Her work centers on the creation of soft, ephemeral architectures— textile shells, spatial structures, skins, and sometimes almost immaterial membranes—that challenge rigid spatial boundaries. these soft architectures act as spatial mediators, transforming inside and outside into fluid, permeable zones. They invite tactile and embodied dialogues, enabling new ways of being in space – from digital imaginary drawings, photography, spatial installation, performance, videos and woven textiles. Softness is a powerful spatial, material and social concept. It allows for adaptability, malleability, and resonance. It embodies fragility, fluidity, and even instability—but within these qualities lies a deep transformative potential: if something is soft it remains open to change. In times of global crisis, where hardness dominates political, social, and ecological narratives, she sees softness as a methodology of transformation—an ethics of care and co-existence. Her work seeks to create soft spatialities: open, protective environments that foster intimacy, tenderness, and mutual awareness between humans, space and other forms of life.

Gabi Schillig is an artist who creates experimental dialogical spatial structures and communication spaces. She studied architecture in Coburg and Conceptual Design at the Städelschule in Frankfurt am Main. Her work, which she develops in her artistic practice within the framework of her Studio for Dialogical Spaces, is shown in international contexts and exhibitions. She has received numerous scholarships and awards, including from the Akademie Schloss Solitude, Van Alen Institute New York, Largo das Artes Rio de Janeiro, and the Bauhaus Dessau Foundation. Gabi Schillig lives in Berlin and teaches as a professor at the Berlin University of the Arts. Since 2023, she has been working regularly in Japan, where she continues her artistic research on topologies of softness.

Additional information

Weight 5 kg
Dimensions 232 × 141 × 1,5 cm