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Soft Space Machines (Soft Isometry) | 2025

Media: Floor sculpture (5 mm saddle felt), two-piece
Edition: 5 + AP
H x W cm: 396 x 358 cm

Gabi Schillig’s floor sculpture “Soft Isometry”, composed of two pieces of 5 mm saddle felt, exemplifies her ongoing exploration of soft architectures – spaces that are flexible, tactile, and spatially expansive. Made from felt, a material known for its soft yet resilient qualities, this sculpture occupies the floor with a gentle presence that both defines and responds to the surrounding space without imposing rigidity.

The felt’s softness and flexibility allow “Soft Isometry”, to embody a spatial permeability characteristic of Schillig’s practice: the work does not close or harden the space but rather softly inhabits and modulates it, inviting the viewer to sense a dialogue between material and environment. By using pliable saddle felt, the piece balances structural presence with a mutable, almost living quality—allowing the space to be both held and gently transformed underfoot.

In the context of Schillig’s broader work, “Soft Isometry” continues her investigation into how softness functions not only as a physical property but as a spatial and social concept. The floor sculpture challenges conventional notions of architecture’s fixed boundaries, proposing instead an elastic, body-related engagement with space. Its two-part form suggests relational dynamics – between parts, between material and floor, between object and body – emphasizing dialogue, movement, and exchange.

Overall, “Soft Isometry”, is a poetic articulation of Schillig’s interest in fluid spatial conditions. It stands as a soft, flexible presence that activates its surroundings, meditating on how felt as material and form can participate in evolving, permeable environments that blur the lines between object, body, and space.

The work is part of the series “Soft Space Machines”.

5.950,00 (excl. VAT 5.000,00)

About the artist

The mother architecture now establishes the associative link to the ‘oceanic feeling’ of the all connected and all-encompassing. Floor, wall, and ceiling, the structural equivalents of orthogonal three-dimensionality, are transformed into an amorphous shell, and the enclosed space becomes volume. Could it be that the spirit of modernism is materializing less in a seemingly decorless rationalism of steel, glass, and concrete, and instead revealing itself in a new, elastic body-oriented approach?“ – Kay von Keitz on „Soft Modernism“ about the work of Gabi Schillig / June 2025

In her work, Gabi Schillig experimentally explores space and architecture as extensions of the living body—as responsive, dynamic mediums of communication. space is not static or immobile, but alive and evolving, deeply interwoven with human presence and bodily experience. bodies, spaces, and actions are not distinct entities, but mutually dependent and intimately connected. Her work centers on the creation of soft, ephemeral architectures— textile shells, spatial structures, skins, and sometimes almost immaterial membranes—that challenge rigid spatial boundaries. these soft architectures act as spatial mediators, transforming inside and outside into fluid, permeable zones. They invite tactile and embodied dialogues, enabling new ways of being in space – from digital imaginary drawings, photography, spatial installation, performance, videos and woven textiles. Softness is a powerful spatial, material and social concept. It allows for adaptability, malleability, and resonance. It embodies fragility, fluidity, and even instability—but within these qualities lies a deep transformative potential: if something is soft it remains open to change. In times of global crisis, where hardness dominates political, social, and ecological narratives, she sees softness as a methodology of transformation—an ethics of care and co-existence. Her work seeks to create soft spatialities: open, protective environments that foster intimacy, tenderness, and mutual awareness between humans, space and other forms of life.

Gabi Schillig is an artist who creates experimental dialogical spatial structures and communication spaces. She studied architecture in Coburg and Conceptual Design at the Städelschule in Frankfurt am Main. Her work, which she develops in her artistic practice within the framework of her Studio for Dialogical Spaces, is shown in international contexts and exhibitions. She has received numerous scholarships and awards, including from the Akademie Schloss Solitude, Van Alen Institute New York, Largo das Artes Rio de Janeiro, and the Bauhaus Dessau Foundation. Gabi Schillig lives in Berlin and teaches as a professor at the Berlin University of the Arts. Since 2023, she has been working regularly in Japan, where she continues her artistic research on topologies of softness.

Additional information

Weight 5 kg
Dimensions 396 × 358 × 0,5 cm